Is Live Music Facing Decline in Australia?

Since 2020, an annual music festival in Australia has been permanently canceled each year due to low attendance and soaring insurance costs. Across the nation, numerous live music venues have closed their doors indefinitely for similar reasons, with some even replacing stages with poker machines.

The younger generation, along with the general public, seems to be less inclined to frequent small music venues. When people do attend live shows, it is often to see big-name international artists rather than local acts.

From what I’ve observed, there doesn’t seem to be a vibrant music scene anywhere in the country. While I still believe that genres like Punk, Metal, and other niche styles have their underground following, there doesn’t appear to be a robust musical infrastructure where someone can build a sustainable career, unlike the period from 1970 to 2010.

One thought on “Is Live Music Dying In Australia?”

  1. It’s concerning to hear about the decline of live music in Australia, especially given its rich musical history and vibrant scenes over the years. The factors you mentioned—poor attendance, high insurance costs, and the shift in audience preferences—are definitely impacting the landscape.

    It’s a shame that smaller venues, which have traditionally been the lifeblood for emerging artists, are struggling. Many musicians rely on these spaces to connect with their audience and build their careers. The trend of people gravitating towards big international acts can certainly overshadow local talent, making it hard for them to gain traction.

    That said, there’s still hope for underground genres like punk and metal. While they might not dominate the mainstream, their dedicated communities can foster niche scenes that keep the spirit of live music alive. Encouraging local events, supporting grassroots venues, and promoting community engagement could help revitalize the landscape.

    Perhaps we need to advocate for more initiatives that support local musicians and venues—like subsidized insurance for small gigs or city policies that promote live music. It would be great to see a resurgence and find a way to blend the old with the new, celebrating both established acts and emerging talent. What do you think could be done to help revive the local live music scene?

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